Richard James, who keeps the beaches of Point Reyes as litter-free as he can, has an obsessive eye for the discordant note of trash. His life as a park volunteer comes with a lesson: You learn strange things when you pick up after the world.
The universe: sparse matter, mostly vacuum. Almost every year since 2004, Dave Grossman and Pat Mundy have installed a temporary scale model of the solar system on Stinson Beach to highlight the grand emptiness of much of the universe. Grossman … Read more
Poet Robert Hass awakened a lifelong love of nature while a student at Saint Mary’s College. Now, River of Words, the art and poetry program he cofounded, has found a home at the college.
Now you see it. Now you don’t. Jim Denevan creates art –very large art — out of the most ephemeral media: patterns in sand which will wash away with the tide, tracings in the earth that will disappear with the first rain, etchings upon icy lakes that must melt with the coming of spring. Beach aficionados know him as “that surfer dude,” but his artwork is reminiscent of masters like Christo and Goldsworthy.
For kite aerial photographer Kris Benton, capturing images from the air is “more than just a hobby” – it’s a way to record the history of a landscape.
The BayWood Artists, a group of plein air painters who often hold art sales to benefit local environmental groups, are dedicating their current show at the Bay Model in Sausalito to Save the Bay, which is celebrating its 50th birthday this year.
The Saint Mary’s College Museum of Art is honoring California landscape painter William Keith a century after his death with 150 paintings from the college’s permanent collection. “The Comprehensive Keith: A Centennial Tribute,” on view through December 18, 2011, includes dozens of Bay Area views, from Pacheco Pass to San Anselmo. Some are startlingly familiar. Others are lost to roads and subdivisions. All will help you see local nature with new eyes.
The 16 giant plastic sea creature sculptures on display at the Marine Mammal Center arose from artist Angela Pozzi’s desire to find solace in the ocean: “I went to the ocean to look for healing, but I found that the ocean needed healing before it could heal me.” Her new exhibit, Washed Ashore, is on display through October 15, 2011.
These days, taxidermy and conservation might seem to run at cross purposes outside the dim halls of natural history museums. Those dioramas come from a time when field science was rather more dangerous to wildlife than it is today. Artist Aimee Baldwin’s unusual sculptures, which she calls vegan taxidermy, remove the inconvenient contradiction between loving nature and stuffing it. See her work through July 15 at Castle in the Air, a shop on Berkeley’s Fourth Street.
How do you get 500-plus kids to sit still on the beach? Tell them a helicopter is about to fly overhead and take their collective photograph, and that by the way, they’ll also be on television. It happened at Ocean Beach, and all in the name of ocean conservation.